Mau Pavón’s art stands at a threshold, where the known dissolves and the unexplored unveils itself as fertile ground. In Transition is not merely an exhibition, but a pictorial manifesto that narrates the evolution of being through growth, transformation, and the quest for identity.

In this process, Pavón weaves together the natural and the instinctive with the personal and the inner. His work becomes a mirror of the most primordial essence of the human soul, where the organic and instinctual merge with personal experience and deep introspection. Every stroke and form emerges as a manifestation of a vital impulse—an unyielding force that originates from within and is expressed authentically on the canvas.

The artist embarks on an exploration where his personal life and creative journey engage in constant dialogue. He revisits obsessions and elements that once defined earlier stages of his work, but now, in a state of transition, these components transform into echoes that resonate with new meanings. What was once dominant now integrates into a greater whole, showing how internal evolution translates into a renewal of visual language.

The exhibition brings together both previously unseen pieces and recent works, evidencing a journey in which experimentation and the pursuit of the instinctual become pillars of his renewed artistic identity. In In Transition, the coexistence of the natural and the inner is manifested through the interplay of forms, colors, and compositions that evoke both the purity of human essence and the complexity of its evolution.

Mau Pavón invites us to witness this moment of metamorphosis, to delve into the dialogue between the organic and the instinctive, and to contemplate the perpetual journey toward authenticity. The exhibition thus stands as a celebration of holistic growth, where personal and artistic transformation merge into an experience that connects us with the deepest essence of being.

Yes, it’s crazy—but also an incredible feeling—to stand before a huge, blank wall where anything is possible. A wall that feels intimidating yet invites you to play, to experiment with imagination and creativity.

It always happens the same way: when I first face the blank wall, I don’t know exactly what I will create. Colors and shapes simply come to mind. But as I start painting, the artwork takes on a life of its own, becoming something unique and unrepeatable. It’s about surrendering to the process, letting the images flow without censorship—just painting them and embracing the creative journey.

In this photo, I had just finished a 3 x 13-meter mural in the gym of María Zambrano School in Las Lagunas. Previously, I had painted five themed spaces in the kindergarten area of the same school, working on smaller surfaces. But this time, it was a monumental experience. The mural brought life and movement to the space, making a striking impact upon entering. I’m beyond happy with the final result—and I think the school is too!

I keep painting spaces, transforming walls, and letting them guide me to tell their stories…

AU REVOIR, PEOPLE!

In many branches of art—if not all—the audience’s perception of a piece is often undervalued, ignored, or even dismissed. I see art, particularly painting, much like football: there are countless incredibly talented players, but only a few make it to the big leagues, earn a fortune, and gain recognition. Some painters became famous only after their death, while others were lucky enough to be discovered during their careers.

Living off your art and living for art are two very different things. There is also a fine line between creating art on commission and simply doing what others ask of you. It all ties into the eternal question: how much would someone be willing to pay for an original piece? And even more: would you pay for an original painting?

I often wonder why so few people buy art, especially when many spend significant amounts on fleeting, less lasting, or soulless things. I’m not here to tell anyone how to spend their money, but I’m intrigued by the act itself: acquiring an ORIGINAL artwork—from a renowned or emerging artist—to have in one’s home, office, or even to give as a gift.

I believe painting is tainted by ignorance, snobbery, and a distorted perception of what it truly is. To me, owning a painting means possessing a piece of the artist’s emotion, soul, feelings, and spirit, captured on a canvas, a wall, or any other surface.

Recently, a friend purchased two of my paintings, and what moved me the most wasn’t the sale itself, but seeing how she hung them with pride, fully aware of where they came from, what they represented, and what I aimed to express. That, without a doubt, was the greatest price anyone could pay for my art: understanding it, valuing it, and making it part of their life.

C’est la vie, my friends!